Vizpo Dahlings of 2020

 I think it’s fair to say that 2020 was a shite year for most things but a great year for visual poetry. Here are a few folks that stood out in the pandemic year and made my world a better, more joyful, imaginative and thoughtful place.

 Joakim Norling: Timglaset Editions (Sweden) is dedicated to the publication of visual poetry. Joakim treats the work of the visual poets with great care and thought. Three works that I return to again and again for their strength, imagination, and memorability:

 Language, Lines and Poetry by Dona Mayora

Mothers’ Milk by Sacha Archer

Asemic Walks: 50 templates for pataphysical inspection, now in its 2^nd printing by Hartmut Abendschein

Anna Hedenrud, on ameocha

Clara Daneri & Anthony Etherin: Penteract Press (UK)

In 2020 the press has published a number of great titles, including Gary Barwin’s colorful and playful Ampers&thropocene, Read(writ)ing Words: A Meandering Material Dialogue by Rachel Smith and Myth & Metamorphosis, which includes Clara’s intricately made Llud and Llefelys, Sacha Archer’s Narcissus and Even the Best Laid Plans, Wunjo & Haglaz by SJ Fowler, Gary Barwin’s Two Water Sigils, for Rita Wong, Dani Spinosa’s Megara and Eurydice, Maria Celin Val’s Athena (Wisdom), the Labyrinths of Rachel Smith and Luke Bradford and James Knight and his Minotaur pieces, not to mention more books that I wish I’d had the money to purchase. A shout out to Anthony for his astounding palindromes which I guess can’t be considered visual poetry…or can they? 😊

 They also have a great podcast with favourite and informative episodes such as the Visual Poetry panel episode with Laura Kerr, Derek Beaulieu and Rachel Smith, and the episodes with Gary Barwin, Kate Siklosi and Dani Spinosa. They’ve had 18 episodes so far and I intend to listen to earlier ones that I have missed too.

Dani Spinosa (Canada) for her engaging book OO: Typewriter Poems published by Invisible Books, and To Whom Shall I Sing published by Noir: Z.

Kate Siklosi (Canada) for her beautiful collection , 6 feuilles, published by Noir:Z and the work elsewhere, which is activist and environmental as well as being beautiful and well-made. Kate and Dani are the proprietresses of Gap Riot Press, which has started to publish some memorable and beautiful visual poetry including PSW’s ON LINEatureS and sophie anne edwards river writes.

 Sacha Archer (Canada), for Mother’s Milk, obviously, but also for all the creative and fascinating work he does, from video to the paper pushing pieces scanned and posted on Instagram and FB. He’s also the publisher of Simulacrum Press, a press which has published numerous great works of visual poetry and other stuff too.

 Petra Schulze-Wollgast (Germany) for her own work but also for ToCall, a Mimeograph magazine with contributors from all over the world.

 Women Asemic Writers and Visual Poets Global (WAAVe) the powerhouse group on FB helmed by the delightful Kristine Snodgrass. I love being part of this group.

 Satu Kaikkonen (Finland) who gifted me several gorgeous minimal chapbooks this year and whose work is stunning and beautiful as always.

 Renee Gladman (USA) for One Long Black Sentence (Image Text Ithaca Press) with Anindex by Fred Moten, a creative, playful and beautiful book of asemic drawings, grids, lines and architecture that I received as a gift from a dear friend and that spark my imagination every time I open the book.

 Ava Hofmann, (USA) visual poet and editor of Sporazine, a journal of experimental literature written by trans people. I love Ava’s work, which I see mostly through Twitter, but this year her poem [A WOMAN WANDERED INTO A THICKET] published by Puritan Magazine blew everyone away. Sporazine’s 1^st issue was an eye-opener for me, including some writers and visual poets I had heard of before, such as Zefyr Lisowski through Ghost City Press, and some who were new to me, such as essa may ranapiri.

 Gregory Betts (Canada) for Sweet Forme from Apothecary Archives is a delight of whimsy and wonder and colour. Is it vispo? Why yes, yes it is.

 Astra Papachristodoulou (UK) for her own work and for her Poet Atlas exhibits, which are fascinating and push the boundaries of visual poetry.

 Silje Ree (Norway/UK) for her work and also for her multilingual exhibits of visual poetry through Mellom Press established this year.

 Sarah J Sloat for Hotel Almighty (Sarabande Books) a delightful erasure book of Stephen King’s Misery.

 Gary Barwin, (Canada) who is always pushing the boundaries of visual poetry and everything else with all of his work, his videos and books and responses to others’ work.

 Derek Beaulieu (Canada) for his work and for his continued promotion and attempts at raising awareness about the world of concrete/visual poetry, both its history and contemporary work. On the Penteract Press podcast visual poetry panel episode I mentioned earlier, Derek said something that I found inspiring and motivating: he talked about the need for writers and artists to constantly push and challenge themselves. This is something that I think is essential for my own practice.

 Kyle Flemmer, the Blasted Tree (Canada) for all the work he does with the press and this year for Concrete and Crystal by sophie anne edwards (gifted to me by a dear friend), his own publication of a clematis leaf in homage to Kate Siklosi (Purple rain: 100 Petals for Kate Siklosi), and Ben Robinson’s Without Form, which translates the numbers of the Bible into visual poetry. I am so delighted to see more visual poetry with the Bible.

 All of the women in Women in Concrete Poetry: 1959-1979 published by Primary Information. a long overdue book and acknowledgement of great work by these women and more who were paving the way (groan!) for future women visual poets, including me! The effects of erasure of women in visual poetry, literature, art, film etc…are long lasting, depressing and inhibiting.

 Katy Telling for her wonderful interviews with visual poets and others, including Sascha Aktar whose visual poetry collection Not Been Seen As Such published by IceFloe Press earlier this year looks exquisite.

 Richard Capener, The Babel Tower Notice Board (UK) for including and promoting and introducing me to some great visual poetry such as Labyrinth: In Search of the Answer I and II by Rachel Smith, Madelaine Culver, Katy Telling, T.W. Selvey, Maggs Vibo, Max Shirley and Cat Chong, not to mention the playful and experimental work of the entire first year of TBTNB.

 No doubt there are numerous vizpo dahlings I haven’t had a chance to learn about yet. I could easily mention all of the visual poets in the latest issue of Experiment-O for example. To those of you I haven’t mentioned, give me a shout and links to your great work and others so that we can all learn more together.   I look forward to more vizpo dahlilngs in 2021.

The Vispo Bible: Acts from the New Testament Now Completed

Acts 27

I began Acts in February and completed it today, December 19, 2020. That makes a total of 319 pages since beginning in June, 2015. For Acts, I began to use Adobe Illustrator, moving from Photoshop and that slowed me down a bit. I had to learn new software and also figure out how to glitch it for the types of transformations I do to text for the Vispo Bible. While there are repetitive processes involved in using software to create visual poetry, I find that at least for this work, I still need to bring a sense of exploration, whimsy and imagination to the work. 

I feel that the pandemic made it difficult to focus. I also began a new part of the Vispo Bible, not based on including every verse and chapter from every book, but rather taking individual passages and using them as the source text for So Many Silenced, So Many Unnamed, which is a project to turn misogynistic text in the Bible into affirmations of women's strength and resilience via shapes which resembles women's bodies, many wearing dresses, corsets and other garments associated with women as a type of reclamation. We will see what 2021 brings. 

 

Working with Adobe Illustrator; Progress on the Vispo Bible

 

Acts 11 from the New Testament

Photoshop has become a pain in the ass, constantly upgrading and making it difficult to work with. Since Adobe is forcing me to relearn everything anyway, I've been learning how to make visual poems in Illustrator, which I have been told by fellow visual poets is a good tool for such. Since the summer I have been making little visual poems, of one letter or one word, going back almost to my early days of working with MS Paint in 2005 or so, when i focused on an individual letter or word. But I've finally gotten to the point where I can work with whole blocks of text again, so I made the next visual poem in the Vispo Bible: Acts 11 from the New Testament. I began Acts in February of this year, just before the pandemic. Many other things distracted me, but mostly it was the annoyance of Photoshop's constant upgrades that slowed my progress. I feel now that I can resume work on Acts and hope to have it completed by the end of this year, all being well.

For those interested, or perhaps keeping track, I've said that the Vispo Bible is a life's work. I began it in 2015. Here's the progress so far:

This year I have also taken a side trip, going through the Bible for passages about women, both named and unnamed, and started a new section of the Vispo Bible called So Many Silenced, So Many Unnamed. You can see examples here on the Pi Review whose editor kindly published the visual poems, along with poems on the women of the Bible. 

I have plans to look thematically at various subjects in the Bible and recently made this piece entitled Leviathan, but made in Photoshop in the summer:

Job 41: 31 He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment.

I haven't been submitting new chapbook manuscripts for the Vispo Bible. I want So Many Silenced, So Many Unnamed to be a trade book in full colour. I don't expect it to be ready for some time, but if you have any ideas on who might publish it, I'd love to hear them.

The Vispo Bible: Revelation published by Timglaset Editions is now available as a free pdf

 Timglaset Editions has kindly made free pdfs of sold out books, including Revelation, from the Vispo Bible. take a look here. there's a vast catalogue of joyous work. Revelation was published in November, 2018. almost two years ago. so happy that Joakim Norling accepted my query. it was the start of a great friendship and mutual appreciation of visual poetry.

League of Canadian Poets features Exodus 13 from the Vispo Bible in Poetry Pause

 thanks to the League of Canadian Poets for their support of the Vispo Bible. 

Check out Exodus 13 here.

vispo haiku

 here are 3 vispo haiku. i have been learning how to use Adobe Illustrator of late. normally i work with Photoshop, but thought i'd give Illustrator a go. two women inspired my attempts at making visual poetry haiku: Dona Mayoora who has been making asemic haiku, and Catherine Vidler who has been making and sharing hers on Instagram. as always, i appreciate the inspiration. of course, these are inspired most of all by 2020 and end tymes.

1. state of the country ; 2. growing anxiety; 3. end of the empire.

So Many Silenced, So Many Unnamed - a new section within the Vispo Bible - recently published on the Pi Review

 thanks to John Whittaker of the new online magazine for asking me to submit work to help debut the site. i'm happy to follow friend and visual poet, derek beaulieu and look forward to seeing what comes  next.

you can see excerpts, which include both visual poems and poem-poems (not sure what else to call non visual poems) here.

So Many Silenced, So Many Unnamed is a new section i'm working on for the Vispo Bible that uses passages from the Bible and addresses misogyny, silencing,  and erasure of women in the Bible and how scripture is used to justify the ongoing violence against women, BIPOC and LGBTQ folk. 

Note that i've been playing with the title and have changed it from its original, "So Many Are Silent, So Many Unnamed."

not vispo but photos

my series of photos, the End of Days is now up on the Watch Your Head site. thanks to Kathryn Mockler and the editors for publishing my photos. Watch Your Head is an online site that publishes works devoted to climate crisis and climate justice. a separate anthology of writing and art will be published from Coach House Books and is available for pre-order.

The Vispo Bible: Matthew to be published by Knife Fork Book in 2021

chufffed to announce that Knife Fork Book will be publishing Matthew in 2021, all being well. Knife Fork Book is a publisher and poetry book store and community inspiration in Toronto, Ontario. My work has also appeared in Not Your Best, an anthology of visual poetry. This will be the seventh chapbook from the Vispo Bible. Below, here is Matthew 7

Street Cake Magazine has published Exodus 18 from the Vispo Bible

 thanks to editors Nikki Dudley & Trini Decombe for including Exodus 18 in Street Cake Magazine. 

to see where all of the work from the Vispo Bible has been published so far, please go to http://eleanorincognito.blogspot.com/2020/05/where-can-you-find-work-from-vispo.html

No Place Like Home - a series

No Place Like Home 1, and 2 are digital manipulations of a photograph of the first house I lived in from age 4 to 8, in a small town in Ontario, Canada with my parents and siblings. The text is a reference to Dorothy’s repeated refrain from the Wizard of Oz when she clicks her ruby red shoes and says, “there’s no place like home.” The house here is reminiscent of the trauma, fear and confusion that represented home for me as a child and for many others.

No Place Like Home 3 depicts the many rooms of the house, which did not provide safety, with the text representing the lack of security a child is made to feel when her love and trust is manipulated and abused.

All pieces were created using Photoshop.

And a side note: for many years, home meant nothing to me but fear until I was able to come to terms with my childhood and of not having the kind of home I had heard about from tv or in films. Not everyone does. “According to self-reported data from the 2014 General Social Survey on Victimization (GSS), one-third (33%) of Canadians aged 15 and older experienced some form of maltreatment during childhood. Child maltreatment includes physical and/or sexual abuse before the age of 15 by someone aged 18 or older, as well as witnessing violence by a parent or guardian against another adult.” https://www150.statcan.gc.ca/n1/daily-quotidien/170216/dq170216b-eng.htm

Leviticus 5 in Poem Atlas' Escapisms Exhibit (May 15 - June 5, 2020)

Thanks to Poem Atlas for including Leviticus 5 in this stunning exhibit. I am delighted to share the virtual page with fellow visual poets. 

Where does escapism fit in? When I work on these pieces, I perform several repeated actions in Photoshop. I get lost in both the meticulous nature of the process and the creative possibilities. The pieces I'm submitting show how colour and layering turn the text into something material and depart from the original, yet somehow maintain some of its flavour. I have grapheme synaesthesia so that words, letters and numbers evoke colour for me. It is a satisfying feeling for me to be able to match the colours in my head with the tone I perceive from the source text based on the words and the style of the text. I become mesmerized in a way. I often keep going until I feel a kind of shiver, as if I've done something magical, but I don't feel at all as if I'm in control of the result. I love this feeling.

The Vispo Bible: Leviticus 5 (2017): source text from Biblegateway.com, King James Version. Text translated into visual poetry using Photoshop. I translated the ritual, sin, and blood in this chapter. Something tree like, hard, bare, weathered and bloody resulted.

Genesis 33 in Mellom Press Online Exhibit, Translations: May 11 to June 7, 2020

Thanks to Silje Ree who will be including Genesis 33 from the Vispo Bible in the upcoming online exhibit, starting  next week.

Where can you find work from the Vispo Bible (as of February 3, 2021)

i'm going to use this blog entry to provide links to the Vispo Bible's publications for all who have asked or who might want to know:

OVERVIEW

THE VISPO BIBLE is a life's work to translate every chapter, every book, every verse of the Bible into visual poetry. I began the project in 2015, and as of May 1, 2020, i have completed 300 pages: Old Testament: Genesis, Exodus, Levitucus, Numbers, Ruth, Esther, Deuteronomy,

New Testament Acts 1-8 so far/ currently in progress,Matthew,Mark,Romans, John I, II, III, Jude, Revelation.

In 2018, I received funding from the Ontario Arts Council based on a recommendation from Coach House Books for the Vispo Bible.

1. The Vispo Bible: One Woman Recreates the Bible as Visual Poetrypresented as part of Kanada Koncrete Material Poetries in the Digital Age, University of Ottawa, May 4-6, 2018

This is my general overview of the project.

2. The powerpoint presentation of the work included in the talk. I've done more pieces since, but this is the bulk of the work.

3. Glue, String and Binder Rings, an essay I wrote on how various publishers are responding to the challenge of publishing the Vispo Bible in print. Published in the Babel Tower Notice Board. {link is no longer active, i will provide a new link when it appears}

4. YouTube Videos

Genesis

Acts 2 - layer by layer

5 Chapbooks and Broadsides

Matthew, The Vispo Bible, Knife Fork Book, 2021. Toronto, Ontario.

Romans, The Vispo Bible, where is the river, 2018, Toronto,Ontario [there's a link to a free pdf]

Revelation, the Vispo Bible, Timglaset Editions, 2018, Malmo,Sweden [out of stock]

now available as a free pdf.

John,the Vispo Bible, The Blasted Tree, 2018, CalgaryAlberta

Ruth, the Vispo Bible, Simulacrum Press, 2018, HamiltonOntario

Mark,the Vispo Bible, above/ground press, 2018, Ottawa,Ontario

Esther,The Vispo Bible, Puddles of Sky Press, 2017,Kingston, Ontario [scroll down; out of print, i think]

Deuteronomy2 from The Vispo Bible, pagefiftyone, 2019, BritishColumbia

Revelation 20 from The Vispo Bible, No Press, 2017, Calgary, Alberta [out of print]

Leviticus XII, Penteract Press, 2017 UK [out of print]

6. Anthologies

Judith: Women Making Visual Poetry (Timglaset Editions, 2021)

WAAVe Global Gallery 2020 (Hysterical Books, 2021)

7. Print Magazines

Not Your Best Visual Poetry (Knife Fork Book, 2019)

Train, Concrete Poetry issue, 2019

to call no 6, Germany psw, 2019

to call no. 1, Germany psw, 2018

illiterature issue v, the graphic novel, (Puddles of Sky Press, Kingston, ON) [scroll down]

untethered (Toronto, ON), Volume 3.2 2017 

Dreamland (Prince George, BC), 2016

8. SITES/EXHIBITS

Beir Bua Journal, Issue III (April 2021)

League of Canadian Poets Poetry Pause (September, 2020 and February, 2021)

The Pi Review (August, 2020)

Streetcake Magazine Issue 68, Part 1 (August, 2020)

Escapisms, Poem Atlas (May 15 to June 5, 2020)

Translations, Mellom Press (May 11 to June 9, 2020)

Europlasty 4 (Korea 2019)

Talking About Strawberries All The Time,2019

Renegade, 2019

Angry Old Man Magazine, 2018?

CONCRETE IS POROUS, Toronto, Ottawa, Windsor, 2018

Brave New Word, 2016

Ustanga, 2016

h&, 2015 and 2017

http://handandpoetry.blogspot.com/2016/04/amanda-earl-chapter-4-of-exodus-from.html

Our Teeth, 2016

University of Ottawa, English Department presentation by Claire Farley, 2016

9 ENGAGEMENTS

Eileen Tabios, Galatea Resurrects - The Book of Mark

Gregory Betts, Decoding (visual) Poetry: Some Thoughts on Amanda Earl’s Vispo Bible, February 1, 2022

The Vispo Bible: Acts from the New Testament

I have begun to work on the Acts of the Apostles from the New Testament. For Acts, I will be saving each individual layer separately.

Excerpts from the Vispo Bible have been exhibited in Ottawa, Toronto and Windsor,  Ontario. Publications include

Romans, where is the river, 2018, Toronto, Ontario

Revelation, Timglaset Editions, 2018, Sweden

Ruth, Simulacrum Press, 2018, Hamilton, Ontario

Mark, above/ground press, 2018, Ottawa, Ontario

Esther, Puddles of Sky Press, 2017, Kingston, Ontario

Revelation 20, No Press, 2017, Calgary, Alberta

Leviticus XII, Penteract Press, 2017 UK

Additional individual pieces have appeared in h&; our teeth, illiterature, Brave New Word (Ukraine), Dreamland Magazine, untethered, Ustanga.it,  Chaudiere Books NPM 2018, and To Call No 1  from Plaugolt Satzwechhsler in Germany,  not your best visual poetry from knife fork book. (2019) and Train Concrete Journal and blog (2019/2020). 

Thank you to the Ontario Arts Council 2018 Recommender Grant for Writers program for funding part of the creation of the Vispo Bible 

The Vispo Bible: Matthew 8, 9 and 10 in Train : journal of concrete poetry

thanks to DW Adams for including three chapters from the Vispo Bible in Train. Another piece was also included on the blog http://trainpoetryjournal.blogspot.com/2019/12/from-vispo-bible-matthew-27.html and DW was kind enough to interview me about my visual poetry and other things here.http://trainpoetryjournal.blogspot.com/2020/01/an-interview-with-amanda-earl.html.

a hand made visual poem featured in Guest 8: Femmecraft

G U E S T 8 , the latest in the above/ground press chapbooks edited by guests is now out. https://guestpoetryjournal.blogspot.com/.

For this issue, the editors are the wonderful Kate Siklosi and Dani Spinosa, who sent out a call for femmecraft, hand made work. I loved this idea. I am pleased that my stoneware NO bowl is in the chapbook. You can pick up a copy through above/ground press, and you should...because there is intriguing work therein. My contribution is a handbuilt stoneware bowl in the form of a coil and the word “NO,” which I also made from stoneware. I was thinking about craft, which is often dismissed as "women’s work," as if that is somehow pejorative, and often not considered to be art. I was thinking about resistance to this idea and resistance to women’s empowerment and creativity. I thought the call represented a celebration of feminist resistance to patriarchal dismissal and suppression of the force and creativity of imagination.

This is one of four imperfect pieces I submitted for consideration. They are cracked and chipped and made wrong. When I first started to take pottery workshops in the 90s, my instructor told me my work was charmingly uneven. I replied that this was much like my character. I think handmade work can resist this insistence on perfection and therefore show evidence of tender humanity. As T.J. Burnett said, “Perfection is a second-rate idea.”

and here are the other pieces from the series:

The Vispo Bible: Deuteronomy - completed

The Vispo Bible: Deuteronomy 34

I began Deuteronomy in May and have finally finished it (November 16, 2019). So far, only two of the chapters have been published Deuteronomy 2 by Page Fifty One and 34 here. 

I have completed 291 pages since I began the Vispo Bible in 2015, 7 chapters from the Old Testament and 8 from the New. All being well, I will start on Acts from the New Testament in the beginning of 2020. 

Thank you to all those who have published excerpts from the Vispo Bible, purchased chapbooks and broadsides and expressed interest and support in the project.

If you'd like more information, please feel free to contact me at amanda at amandaearl dot com.

not quite a palindrome, an homage to Sacha Archer's Redo in Arc Poetry Magazine's Issue 90

Page Fifty One publishes Deuteronomy 2

Thanks to Geoffrey Nilson of pagefiftyone in New Westminster, BC for publishing this piece from the Vispo Bible in an edition of 50 copies. I have some copies if you'd like one. They are 5 x 5 inches and this is fittingly micro-broadside # 5.

I began Deuteronomy in May and am at the 12th of 34 chapters of Deuteronomy.
Since June, 2015, I have completed a total of 269 pages from Old and New Testaments.
The Vispo Bible is a life's work to translate every book, every chapter, every verse of the Bible into visual poetry.

Not Your Best #1 Visual Poetry now available for pre-order from Knife Fork Book

thanks to the editor Eric Schmaltz for including pieces from the Vispo Bible and Knife Fork Book for publishing NYB 1. the anthology is now available for pre-order. click on the link to purchase.

bill dimichele

I was sad to learn that the visual poet, artist, poet, publisher bill dimichele had died on Sunday, August 4, 2019 at the age of 67. i knew bill as both a poet and a publisher. my small press, AngelHousePress published his work on NationalPoetryMonth.ca and in Experiment-O Issue 5. he also participated in the DevilHouse 6 interview, a series that explored the nature of transgression in creative work.

somehow, i don't remember when it happened or how, bill contacted me to participate in Tip of the Knife, his wonderful blog/site where published various writers and artists. he was always so welcoming and enthusiastic. i will never forget how much he welcomed me and encouraged me to play and be whimsical. For #15, i somehow misunderstood and thought he was doing a special issue on child art. i wasn't sure if i should contribute but the call inspired a series called Vizpo Kidz. He loved it.  In his introduction to the work, he wrote "I’ve seen a lot of Amanda’s work, and I’ve been happy to publish some; I always imagine the Angel creating her art out of laughter, lightheartedness and beautiful, whimsical energy.  Images made from inventive letter/picture coactions bring both amusement and sage excitement.  One of the most interesting aspects of these things is the titles, all twists on the pics - and who could not love titles like ‘Cinderella Snowflake’ and ‘Scuttling Sam Bones’?  Not everyone can make a crisp graphic work like Amanda can.  And no one else can put a head on it.

She may live in our newly constructed Age of Quasi Reason, but she’s not a slave to it the way some visual poets are, like those who construct little scientific systems devoid of soul and spirit.  Amanda may live in Candyland, but she knows how to tame the gum drops."

I was enchanted.  He published my attempts at autobiography as song titles in Issue 17. my earlier attempts at working with the alphabet in Issue 5 in 2011.

For Issue 11 from 2012, i was playing around with words, shapes. He wrote this about my work:

She has some cool space age themes going on with these pieces- simple so that our space voyager can take off with letters made of polished metal and plutonium retro rockets, excited to land, to spread new visual languages to the uninitiated aliens.  Amanda can do this, so I crown her Queen of the Universe.  These transformed glyphs are full of meaning to make the odyssey worthwhile.  Each page reveals a testament to exploration, fire and bravery.  Then there’s the piece about a crater where the ship has crashed, digging into the black extraterrestrial ground, exploding red astronaut blood which hovers above the surface in low gravity.  The red/black contrast itself is powerful enough to shatter the planet.  At first I thought 001 seed was outside the theme, but then I started thinking that some other  worldly race planted us and tended us.  Don’t look at me like that, it’s possible. 

I was so pleased to be part of Tip of the Knife, which introduced me or reacquainted me with fellow travellers of whimsy and gave me the opportunity to be read by the great bill dimichele, a kindred.

i end this post with a quote from his own contribution to Tip of the Knife 32, the final issue. 

This was when Billy first came unstuck in time.

His attention began to swing wildly through

the full arc of his life passing into death which

was violet light.

Kurt Vonnegut, Jr.

rest in whimsy, fellow explorer. enjoy the violet light.

my condolences to his family, friends and all he's published and by published by. i will miss him. 

post-script, all being well a few best of issues of Tip of the Knife will be published and edited by Crag Hill. 

Concrete is Porous: Act 3 - Windsor, Ontario

the third exhibit for Concrete is Porous will take place at the Common Ground Gallery in Windsor, Ontario from May 28 to June 9, 2019.

I have two pieces in this show from the Vispo Bible: Genesis 2 and 34. If you are in Windsor, or area, I hope you'll check out the show, with readings taking place by the curators and Gustave Morin.

thank you once again to the organizers for including my work.

Starting Deuteronomy - the Vispo Bible

here's an intermediary step on the road to Deuteronomy. Deuteronomy is in the Old Testament and has 34 books. Let's see how long it takes me to complete it. I've decided to have a palette of metalic gold text on a black background for this book. Not sure why. Something to do with Moses, I guess. Golden idols.

Matthew is complete and other updates for the Vispo Bible

Matthew 7

I began the Book of Matthew, 1st book in the New Testament in September, 2018 and completed it in May, 2019. There are 28 chapters.

For the first time, I had some stops and restarts and did several pieces over.

I finally got the right tone when I inverted the text and background to give the ghostliness that I always feel when I think about the life of Jesus, his resurrection etc.

As a child, i always felt like he was a ghost, a benevolent and sad ghost.

So far Matthew 5, 6 and 7 have been published in the Peter F. Yacht Club's VERSeFest 2019 issue.

I have submitted the Book of Matthew to a publisher to consider for publication as a book. I'll let you know what happens. I may stick with this inversion for a bit and do more.

Concrete is Porous Acts I and II, which exhibited in Toronto and Ottawa and featured two of my pieces from Revelation, is not over. Act III will take place in Windsor, Ontario for a month or so, starting at the end of May at the Common Ground Gallery. I have two pieces from Genesis in that show.

Thanks to those of you who've shown an interest in the project, published excerpts from it and bought chapbooks.

I began the Vispo Bible almost 4 years ago, starting in June, 2015. I have completed 6 books in the Old Testament and 8 in the New. Only 53 more books to go!

The Vispo Bible in Renegade

thanks to Andrew Topel for publishing John 1, Genesis 28, 29, 33 and 34 on Renegade.

Concrete is Porous

Concrete is Porous, a visual and concrete poetry show curated by Hart Broudy and bill bissett is now on tour. For the Toronto show, which ended in March, and the VERSeFest Ottawa show, which also just ended, my pieces Revelation 19 and 20 were included.

The show will now travel to Windsor, Calgary and possibly Sweden. To save money on shipping and insurance, I have been asked to offer smaller pieces. I will give two 10 x 10 inch, simpler pieces that aren't as dense because the density needs a high resolution. I will let you know which pieces end up in the touring show.

I am grateful to the curators who kindly included my visual poetry in the show and to Daniel Bradley who has been a key participant in making the show happen and helping out.

You can find out more about the show and see some of the pieces on tumblr.

photo credit: Renee Saklikar

The Vispo Bible: Numbers 3 and 26 now online

at talking about strawberries all the time. thanks to talking for including these pieces.

Romans now online from where is the river of Toronto

Thanks to Kiefer Logan of where is the river for publishing Romans as an online pdf chapbook.
i'm in fine company with chapbooks by rob mclennan and Michael Sikkema.
Take a read here: https://whereistheriver.blogspot.com/2018/11/chapbooks-november-2018-series-one.html

Revelation now available from Timglaset Editions of Sweden

Thank you to Joakim Norling of Timglaset Editions for publishing the latest addition to the Vispo Bible, Revelation, from the New Testament.

He has put great care and thought into the publication of this work, from the cover colour, which is the colour of the word "Revelation" to me (grapheme synaesthesia).

Here's a description from the Timglaset site:

Revelation is the seventh book to come out of Amanda Earl‘s (Ottawa, Ontario, Canada) lifelong project, The Vispo Bible, translating the Bible to visual poetry. This book contains 22 visual pieces, each representing one chapter of The Book of Revelation, New Testament. The Vispo Bible is part of Amanda‘s general poetic practice of chance operations from the Dadaists and Jackson MacLow’s Light poems, cutting up, reshuffling, remixing existing sources – words, phrases, lyrics, titles, objects, geographical and psychological landscapes – to unlock fixed propaganda and repurpose it.

Amanda has grapheme synaesthesia where numbers, people’s first names, names of the month and week, and pain have colours. The cover of Revelation is bright orange and inside there is an explosion of colour, corresponding to the colours Amanda has assigned to words and phrases in the the text of The Book of Revelation. This book is in A4 format (297 x 210 mm), 28 pages and is printed in full colour on heavy high quality paper. The cover is in orange cardboard and hand-labelled with title an author name. The inlay is saddle stitched and the cover is rubber band bound. 60 copies were made. CAD 18, EUR 12, SEK 130. Postage costs will be added.

I consider this to be a huge milestone in my life as a poet and an artist. I can't thank Joakim/Timglaset Editions enough for this great work. To all the amazing and generous small press publishers who have been publishing the Vispo Bible, I am thrilled and grateful for the work you do and the work you have done with my Vispo Bible. This project is very important to me. 

You can purchase a copy here.

The Vispo Bible - the books of John 1, 2 and 3 now available from the Blasted Tree

Thanks to Kyle of the Blasted Tree for making this beautiful chapbook. You can order it here.

Publications from the Vispo Bible include

Ruth, Simulacrum Press, 2018, Hamilton, Ontario

Mark, above/ground press, 2018, Ottawa, Ontario

Esther, Puddles of Sky Press, 2017, Kingston, Ontario

Revelation 20, No Press, 2017, Calgary, Alberta

Leviticus XII, Penteract Press, 2017 UK

with Revelation forthcoming from Timglaset Press, Sweden, and Romans from where is the river, Toronto, Ontario.

Additional individual pieces have appeared in h&; our teeth, illiterature, Brave New Word (Ukraine), Dreamland Magazine, untethered, Ustanga.it,  Chaudiere Books NPM 2018, and ToCall Magazine in Germany, and are forthing coming in not your best visual poetry from knife fork book.

Revelation 19 and 20 will be exhibited as part of the Concrete is Pourous show in Toronto between November 3, 2018 and February 26, 2019 at the Secret Handshake Gallery, and will move to the Common Ground Gallery in Windsor afterward.

Thank you to the Ontario Arts Council 2018 Recommender Grant for Writers program for funding part of the creation of the Vispo Bible this year.

Amanda Earl’s visual poetry has been exhibited in Canada, Brazil and Russia, and published in the last vispo: anthology: visual poetry 1998-2008 (Fantagraphics, 2012), Of the Body, (Puddles of Sky Press, 2012), Bone Sapling, a collaboration with Gary Barwin, (AngelHousePress, 2014), a field guide to fanciful bugs, (avantacular press, 2010),  Montparnasse: this is visual poetry, (chapbook publisher, 2010) and in the magazines, untethered (2017) and dreamland (2016). Amanda's visual poetry also appears in online journals, Brave New Word, Angry Old Man, Ustanga, h&, Our Teeth otoliths, tip of the knife, ffooom, the new post literate, Logalia.com, DrunkenBoat, and the Bleed. Gary Barwin gave a lovely write up of Amanda's visual poetry on Jacket2, "What kind of [sic] sense is that?: Amanda Earl & the synaesthesia of reading" (June, 2013). For more vispo, please visit EleanorIncognito.blogspot.ca.

The Book of Ruth - Now available from Simulacrum Press

Thanks to Sacha Archer of Simulacrum Press for publishing the Book of Ruth.

You can order a copy here.

Publications from the Vispo Bible include

Mark, above/ground press, 2018, Ottawa, Ontario

Esther, Puddles of Sky Press, 2017, Kingston, Ontario

Revelation 20, No Press, 2017, Calgary, Alberta

Leviticus XII, Penteract Press, 2017 UK

with John forthcoming from the Blasted Tree, Calgary, Alberta; Romans from where is the river, Toronto, Ontario and Revelation from Timglaset Press, Sweden.

Additional individual pieces have appeared in h&; our teeth, illiterature, Brave New Word (Ukraine), Dreamland Magazine, untethered, Ustanga.it,  Chaudiere Books NPM 2018, and are forthcoming from a small magazine in Germany, and not your best visual poetry from knife fork book. 

Revelation 19 and 20 will be exhibited as part of the Concrete is Pourous show in Toronto between November 3, 2018 and February 26, 2019 at the Secret Handshake Gallery, and will move to the Common Ground Gallery in Windsor afterward.

If you'd like more information about the Vispo Bible, please read my essay The Vispo Bible: One Woman Recreates the Bible as Visual Poetry presented as part of Kanada Koncrete Material Poetries in the Digital Age, University of Ottawa, May 4-6, 2018. 

I am currently working on Matthew from the New Testament.

Thank you to the Ontario Arts Council 2018 Recommder Grant for Writers program for funding part of the creation of the Vispo Bible this year.

Eileen Tabios reviews the Book of Mark

Eileen R. Tabios wrote this wonderful review of the Book of Mark (above/ground press, 2018). Much thanks to Eileen! You can pick up a copy of the chapbook here

The Vispo Bible - Numbers - completed

I began Numbers in May 2017 and it took me 11 months to complete it. It's not that it's that large at 36 chapters, i was just doing other things. Some of the chapters were long with over 50 verses.

All 36 chapters of Numbers will be on display/for sale at the Ottawa Small Press Book Fair on Saturday, June 23 at the Jack Purcell Community Centre from noon to five pm with the proceeds going to Cornerstone Housing for Women. If you can't come by, please feel free to make a donation to Cornerstone and I will mail you something (chapbook, broadside, book) by way of appreciation.

Thanks to the Ontario Arts Council for funding part of this work in 2018.

The Vispo Bible - artist's talk at Kanada Koncrete

on May 5, 2018 as part of Kanada Koncrete, Material Poetries in the Digital Age, a symposium at the University of Ottawa, I gave an artist's talk entitled "The Vispo Bible: One Woman Recreates the Bible as Visual Poetry."

I've posted the talk on the AngelHousePress essay series here. And you can see the work that I've done so far on the Vispo Bible here.

Thanks to the Ontario Arts Council for funding part of  this project this year and to Coach House Books for the Recommender Grant.

The Vispo Bible: Book of Mark is now out with above/ground press

thanks to rob mclennan of above/ground press for publishing The Book of Mark from the Vispo Bible.

This is the second of the Vispo Bible chapbooks so far, with the first being The Book of Esther, published by Puddles of Sky Press last year.

You can order copies of Mark here.

and Esther here.

These chapbooks and some Vispo Bible posters will be available for barter and sale at Bizarre Bazaar on Friday, May 4 at the University of Ottawa Canadian Literature Symposium: Kanada Koncrete: Material Poetries in the Digital Age.

I will also be giving a talk on Saturay, May 5: The Vispo Bible: One Woman Recreates The Bible as Visual Poetry. More information about the symposium is available here.