SMS/SMU John Calvin

So Many Silenced, So Many Unnamed

Thus the woman, who had perversely exceeded her proper bounds, is forced back to her own position. She had, indeed, previously been subject to her husband, but that was a liberal and gentle subjection; now, however, she is cast into servitude.–John Calvin, Reformer (1509-1564)

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Dodie Bellamy, Cunt Norton, Les Figues Press, 2013

“In Cunt Norton, the sequel to her unforgettable Cunt Ups, Dodie Bellamy “cunts” The Norton Anthology of Poetry (1975 edition), setting her text-ravenous cut-ups loose to devour the canonical voices of English literature. The texts that emerge from this sexual-linguistic encounter are monstrous, beautiful, unashamed: 33 erotic love poems (“the greatest fuck poem in the English language,” according to Ariana Reines) that lust after the very aesthetic they resist. “These patriarchal voices that threatened to erase me—of course I love them as well,” Bellamy writes. Even as Cunt Norton dismembers the history of English poetry, “cunting” Chaucer and Shakespeare, Emerson and Lowell, it simultaneously allows new members to arise and fill in the gaps, transforming the secret into the explicit, the classically beautiful into the wonderfully grotesque. Bellamy’s cunted texts breathe life into literary “masters” with joy, honesty, hilarity, and insatiable passion.”