TVAVP: April is the cruellest month

Bob Grumman's comments on my visual poetry

in reference to work published in the bleed 0.1. "First up is Amanda Earl, with a three-piece suite of concrete poetry (i.e., producing a viso-aesthetic effect through the use of typography only). Based on passages of “The Song of Solomon,” it begins with one consisting of a set of three stacks each of which contains the words, “My beloved is mine, and I am his: he feeds among the lilies,” in alphabetical order, and three more with the same words except for “am” and “the” in the same order. These latter are perpendicular to, and on top, of the other set. Trust me, the resulting gestalt captures–and renews–all that the original song celebrated. The sequence’s two other poems are equally effective."

T4AVP 2012-3: memories

T4AVP: Light - refracted

flora

a few things of mine over at the new post literate

a gallery of asemic writing. here

we are the light

in response to this month's time for a vispo challenge: light

today

contour lines

untitled yellow

clcok

red door

series : star text

untitled #1

brown

pearl diving

moonlight

plates

instant

Take This Longing, Leonard Cohen

March End Prill - Bryan Sentes : black milk

in this occasional series, i intend to illustrate, sort of, lines from poems that stand out for me. in other words, i see the colours & have to articulate. i don't know how interesting this is to anyone else, but it helps me.
Sentes' book, by the way, is full of these, sparkling quirky bits that set my mind a tingle.

A is for apocalypse

t4avp: a namevispoem for Sandra Ridley

t4avp: a namevispoem for Satu Kaikkonen

T4AVP: a namevispoem for Gary Barwin

oooooon

Time for a Vispo: a namevispoem - delusions 09

Time for a Vispo: a namevispoem - Amanda, the terrible

Time for a Vispo: a namevispoem

in response to Satu's 1st challenge of 2012 over at Time For a Vispo

happy new year [fill the box with good things]

coupla more song titles to finish up the year

stay (away)

take me to the river

round midnight

because i've been listening to Dexter Gordon & here's his Night in Tunisia, which along with Round Midnight, inspired this piece/peace...

Vintage Vispo: Red

one of my favourite vispo projects to work on, perhaps because it got me playing with words quite literally, in my hand, the red string, the tape. if i had more dexterity, i'd probably do this sort of thing more.
published in Unlikely Stores in 2007. For the rest of the series plus a statement please go to UnlikelyStories

ragalfabet - d

psychedlica